1756-1843 John Trumbull Gallery Trumbull was born in Lebanon, Connecticut, to Jonathan Trumbull, who was Governor of Connecticut from 1769 to 1784. He entered the 1771 junior class at Harvard University at age fifteen and graduated in 1773. Due to a childhood accident, Trumbull lost use of one eye, which may have influenced his detailed painting style. As a soldier in the American Revolutionary War, Trumbull rendered a particular service at Boston by sketching plans of the British works, and witnessed the famous Battle of Bunker Hill. He was appointed second personal aide to General George Washington, and in June 1776 deputy adjutant-general to General Horatio Gates, but resigned from the army in 1777. In 1780 he traveled to London where he studied under Benjamin West, who suggested to him that he paint small pictures of the War of Independence and miniature portraits, of which he produced about 250 in his lifetime. On September 23, 1780 and October 2, 1780, British agent Major John Andr?? was, respectively, captured and hanged as a spy in America. News reached Europe, and as an officer of similar rank as Andr?? in the Continental Army, Trumbull was imprisoned for seven months in London's Tothill Fields Bridewell. In 1784 he was again in London working under West, in whose studio he painted his Battle of Bunker Hill and Death of Montgomery, both of which are now in the Yale University Art Gallery. In 1785 Trumbull went to Paris, where he made portrait sketches of French officers for The Surrender of Cornwallis, and began, with the assistance of Jefferson, Declaration of Independence, well-known from the engraving by Asher Brown Durand. This latter painting was purchased by the United States Congress along with his Surrender of General Burgoyne, Surrender at Yorktown, and Washington Resigning his Commission, and these paintings now hang in the United States Capitol. Trumbull's The Sortie Made by the Garrison of Gibraltar, 1789, owned by the Boston Athenaeum, is now in the Boston Museum of Fine Arts.  Related Paintings of John Trumbull :. | General George Washington Resigning his Commission | Capture of the Hessians at the Battle of Trenton | The Death of General Mercer at the Battle of Princeton | Norwich Falls | Sortie Made by the Garrison of Gibraltar |
Related Artists:
Dieric Bouts
1420-1475 Flemish Dieric Bouts Locations Dirk Bouts whose real name was Theodorik Romboutszoon, was probably born in Haarlem, where he may have studied under the painter Albert van Ouwater. Sometime before 1450 Bouts took up residence in the Flemish city of Louvain. His name appeared in the records of Louvain in 1457 and again in 1468, when he was appointed "city painter." It is likely that Bouts spent some time in Bruges, as his earliest work, the Infancy Altarpiece shows the distinct and strong influence of Petrus Christus, the leading master of that city after the death of Jan van Eyck. The slightly later Deposition Altarpiece (ca. 1450) displays strong connections with the style of Rogier van der Weyden in both the figure types and the composition. About 1460, the period of the Entombment in London, the early, formative influence of Petrus Christus had been almost totally displaced by that of Rogier, though Bouts personal vision began to emerge in the fluid and continuous landscape background. The great Last Supper Altarpiece (1464-1467) marks the high point of Bouts career. In this solemn and dignified masterpiece the painter achieved spiritual grandeur in the context of convincing physical reality. The central panel of the altarpiece is the most emphatically significant treatment of the theme of the Last Supper in Northern European art. The wings, which contain Old Testament prefigurations of the central theme, are freer and more loosely organized. Eschewing the symmetry and rigid axial construction of the main panel, Bouts produced rhythmic foreground compositions in combination with fluid and dramatic spatial recessions. In 1468 Bouts was commissioned to paint four panels on the subject of justice for the Town Hall of Louvain. At the painter death in 1475 only two of the paintings had been completed; they are among the most remarkable productions of his career. The unusual subjects, taken from the chronicles of a 12th-century historian, concern the wrongful execution by Emperor Otto III of one of his counts and the subsequent vindication of the nobleman by his wife. The finer of the panels represents the dramatic trial by fire which the wife was obliged to undergo to prove her husband innocence. Rich draperies and sumptuous colors are applied to tall angular forms to create a work of rare formal elegance and high decorative appeal. In order to dignify the event, however, the artist has employed restrained gestures and expressions as well as a completely rationalized spatial setting. As in the Last Supper Altarpiece, a sense of solemn and hieratic importance is expressed by means of an austere and rigid geometry in the construction of both persons and places. The late productions of Bouts workshop, such as the well-known Pearl of Brabant Altarpiece, are characterized by the close collaboration of the painter two sons, Dirk the Younger (1448-1491) and Aelbrecht (1455/1460-1549). In the paintings of his less gifted sons, the master distinctive figure style was appreciably altered, though Dirk the Younger appears to have retained much of his father sensitivity to the landscape. In addition to his innovations in the depiction of landscape, Bouts made a substantial contribution to the development of the portrait. His Portrait of a Man (1462) localizes the sitter in an enlarged architectural setting while permitting the interior space to merge with the exterior through an open window. For the first time in Northern painting a common bond was forged between a particularized individual and the universal world of nature.
John Francis Murphy
(December 11, 1853 - January 30, 1921), American landscape painter. He was born at Oswego, New York and first exhibited at the National Academy of Design in 1876, and was made an associate in 1885 and a full academician two years later. He became a member of the Society of American Artists (1901) and of the American Watercolor Society. At first influenced by Wyant and Inness, after 1900 he attacked the modern problems of light and air, thus combining the old and new theories of landscape painting. His chief characteristics are extreme refinement and charm, poetic sentiment, and beauty of surface. His composition is simple and his rendering of soil unique. A past master of values, he preferred the quiet and subdued aspects of nature. He received numerous awards, including a gold medal at Charleston (1902) and the Inness medal in 1910.
Creator:Edmond Dyonnet
He was born on 25 June 1859 in Crest (Drôme), France, from the marriage of Ulysses-Alexandre Dyonnet, industrialist, and Goullioud Albine. The real family name is Guyonnet de Pivat but due to an error of births during the French Revolution, the surname became Dyonnet. Edmond died in Montreal on 7 July 1954, at age 95. He was buried with his family in the cemetery of Notre-Dame-des-Neiges, in Montreal. Edmond had two younger sisters, Emma Dyonnet, wife Lorin (1866-1947) and Clemence Dyonnet, wife Chabot (18? -1905). Ulysses, the father of Edmond, had an older brother Leon Dyonnet Goullioud who married Helen, the sister of Albine. Leon Dyonnet made a fortune in corsets for women in association with Amyot from 1886 to 1891 and set up the Dominion Corset company, rue de la Couronne in Quebec City. The couple had a daughter artist, cousin of Edmond Dyonnet: Eugenie Dyonnet, who immigrated to Canada in 1872 and died in 1875 in Montreal. Edmond Dyonnet was born in Drôme in 1859, and at 9 years old, he followed his father and migrated to Italy, he continued his primary education in Turin, from 1868 to 1873, in municipal schools and then returned to France with his family in the Drôme. He studies at Crest high school from 1873 to 1875. His father Ulysses met in Paris the brother of Judge George Baby who convinced him to emigrate to Quebec.